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The Mountebank Summary
The Mountebank by William John Locke is a novel published in 1921 that follows the life of Andrew Lackaday, an English orphan raised in a French circus. Rising to fame as a skilled mimic and juggler under the stage name "Petit Patou," Lackaday's life takes a dramatic turn when World War I erupts. Serving with distinction, he ascends to the rank of Brigadier-General. Post-war, he grapples with reintegration into civilian life, facing the challenges of returning to his pre-war profession and identity.
The Mountebank Excerpt
Short Summary: Andrew Lackaday, an English orphan raised in a French circus, becomes a celebrated performer. With the onset of World War I, he serves valiantly, achieving the rank of Brigadier-General. After the war, he struggles to reconcile his dual identities as a soldier and entertainer, navigating the complexities of post-war life and personal relationships.
"In the month of June, 1919, I received a long letter from Brigadier-General Andrew Lackaday together with a bulky manuscript. The letter, addressed from an obscure hotel in Marseilles, ran as follows:--
MY DEAR FRIEND,
On the occasion of our last meeting when I kept you up to an ungodly hour of the morning with the story of my wretched affairs to which you patiently listened without seeming bored, you were good enough to suggest that I might write a book about myself, not for the sake of vulgar advertisement, but in order to interest, perhaps to encourage, at any rate to stimulate the thoughts of many of my old comrades who have been placed in the same predicament as myself. Well, I can't do it. You're a professional man of letters and don't appreciate the extraordinary difficulty a layman has, not only in writing a coherent narrative, but in composing the very sentences which express the things that he wants to convey. Add to this that English is to me, if not a foreign, at any rate, a secondary language--I have thought all my life in French, so that to express myself clearly on any except the humdrum affairs of life is always a conscious effort. Even this little prelude, in my best style, has taken me nearly two cigarettes to write; so I gave up an impossible task.
But I thought to myself that perhaps you might have the time or the interest to put into shape a whole mass of raw material which I have slung together--from memory (I have a good one), and from my diary. It may seem odd that a homeless Bohemian like myself should have kept a diary; but I was born methodical. I believe my mastery of Army Forms gained me my promotion! Anyhow you will find in it a pretty complete history of my career up to date. I have cut out the war----"
Is there a lusus naturæ of any nationality but English, who rising from Private to Brigadier-General, could write six hundred and seventy-three sprawling foolscap pages purporting to contain the story of his life from eighteen-eighty something to June nineteen hundred and nineteen and deliberately omit, as if it were neither here nor there, its four and a half years' glorious and astounding episode?
"I have cut out the war!"
On looking through the MS. I found that he had cut out the war, in so far as his military experiences were concerned. In khaki he showed himself to be as English and John Bull as you please; and how the deuce his meteoric promotion occurred and what various splendid services compelled the exhibition on his breast of a rainbow row of ribbons, are matters known only to the War Office, Andrew Lackaday and his Maker. Well--that is perhaps an exaggeration of secrecy. The newspapers have published their official paragraphs. Officers who served under him have given me interesting information. But from the spoken or written word of Andrew Lackaday I have not been able to glean a grain of knowledge. That, I say, is where the intensely English side of him manifested itself. But, on the other hand, the private life that he led during the four and a half years of war, and that which he lived before and after, was revealed with a refreshing Gallic lack of reticence which could only proceed from his French upbringing."
This opening passage introduces readers to the complex duality of Lackaday's character, setting the stage for a narrative that explores themes of identity, transformation, and the search for purpose in a world irrevocably altered by war."
