The Diary of a Nobody

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The Diary of a Nobody

The Diary of a Nobody Summary

"The Diary of a Nobody" by George Grossmith is a humorous novel written in the form of a diary. It chronicles the daily life of Charles Pooter, a middle-class clerk in late 19th-century London. Pooter records his often trivial and mundane experiences with great importance, providing a comedic and satirical look at his social aspirations and domestic mishaps.

The diary details his interactions with his wife Carrie, their son Lupin, and various friends and acquaintances, highlighting the absurdities of middle-class life and Pooter's constant struggle to maintain his dignity amidst minor disasters.

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The Diary of a Nobody Excerpt

CHAPTER I

We settle down in our new home, and I resolve to keep a diary.  Tradesmen trouble us a bit, so does the scraper.  The Curate calls and pays me a great compliment.

My dear wife Carrie and I have just been a week in our new house, “The Laurels,” Brickfield Terrace, Holloway—a nice six-roomed residence, not counting basement, with a front breakfast-parlour.  We have a little front garden; and there is a flight of ten steps up to the front door, which, by-the-by, we keep locked with the chain up.  Cummings, Gowing, and our other intimate friends always come to the little side entrance, which saves the servant the trouble of going up to the front door, thereby taking her from her work.  We have a nice little back garden which runs down to the railway.  We were rather afraid of the noise of the trains at first, but the landlord said we should not notice them after a bit, and took £2 off the rent.  He was certainly right; and beyond the cracking of the garden wall at the bottom, we have suffered no inconvenience.

After my work in the City, I like to be at home.  What's the good of a home, if you are never in it?  “Home, Sweet Home,” that's my motto.  I am always in of an evening.  Our old friend Gowing may drop in without ceremony; so may Cummings, who lives opposite.  My dear wife Caroline and I are pleased to see them, if they like to drop in on us.  But Carrie and I can manage to pass our evenings together without friends.  There is always something to be done: a tin-tack here, a Venetian blind to put straight, a fan to nail up, or part of a carpet to nail down—all of which I can do with my pipe in my mouth; while Carrie is not above putting a button on a shirt, mending a pillow-case, or practising the “Sylvia Gavotte” on our new cottage piano (on the three years' system), manufactured by W. Bilkson (in small letters), from Collard and Collard (in very large letters).  It is also a great comfort to us to know that our boy Willie is getting on so well in the Bank at Oldham.  We should like to see more of him.  Now for my diary:—

 

April 3.—Tradesmen called for custom, and I promised Farmerson, the ironmonger, to give him a turn if I wanted any nails or tools.  By-the-by, that reminds me there is no key to our bedroom door, and the bells must be seen to.  The parlour bell is broken, and the front door rings up in the servant's bedroom, which is ridiculous.  Dear friend Gowing dropped in, but wouldn't stay, saying there was an infernal smell of paint.

April 4.  Tradesmen still calling; Carrie being out, I arranged to deal with Horwin, who seemed a civil butcher with a nice clean shop.  Ordered a shoulder of mutton for to-morrow, to give him a trial.  Carrie arranged with Borset, the butterman, and ordered a pound of fresh butter, and a pound and a half of salt ditto for kitchen, and a shilling's worth of eggs.  In the evening, Cummings unexpectedly dropped in to show me a meerschaum pipe he had won in a raffle in the City, and told me to handle it carefully, as it would spoil the colouring if the hand was moist.  He said he wouldn't stay, as he didn't care much for the smell of the paint, and fell over the scraper as he went out.  Must get the scraper removed, or else I shall get into a scrape.  I don't often make jokes.

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